A Creative Place:
The History of Wisconsin Art
A Stirring New Benchmark in Art History
After five years of research comes the first book to encompass the 13,000-year history of art in Wisconsin, in all its richness and complexity.
A Creative Place: The History of Wisconsin Art, featuring seven chapters and more than 500 high quality images, elevates art to its rightful place in the proud culture of our state.
From the caves of prehistory near Prairie du Chien, in Wisconsin’s only land untouched by the glaciers, the authors follow a trail of creative endeavor at its most local level, through the periods of French-Canadian exploration, British occupation, American territorial settlement and statehood, to our modern day.
From Superior and Menomonie to Prairie du Chien and Racine, this volume presents a succession of styles and art movements in Wisconsin’s art history and makes connections to our most tumultuous periods including Wisconsin’s participation in our country’s Civil War and two World Wars as well as the struggle for civil rights.
Recognized here are works of art by more than 600 Wisconsin artists, including many of our most creative and talented stars whose contributions made them influential national figures, like wartime photojournalist Dickey Chapelle from Shorewood, Harvey Littleton, the studio glass innovator at the University of Wisconsin-Madison, and Fond du Lac’s Owen Gromme, the “Dean of American Wildlife Artists”.
This ambitious project, backed from the start by the Cedarburg Art Museum,
has something for art historians, collectors, students of history and celebrants of all things Wisconsin.
Artist Once Known, Painted statue of human head, Mississippian, 1050–1200 C.E., Sandstone, 10 in. high, Gottschall Site, Iowa County, Photograph courtesy of Beloit College
Ruth Grotenrath (1912–1988), Untitled, n.d., Casein on Japanese paper, 36 x 24 1/4 in., Collection of the Miller Art Museum, Gift of the Schomer Lichtner Trust and Kohler Foundation, Inc., Photo Courtesy of Miller Art Museum
J. Shimon & J. Lindemann, Self-Portrait in their Manitowoc, Wisconsin studio, 2009, Palladium Print (with 8×10 Deardorff view camera), Courtesy of John Shimon
How Did We Get Here?
A vision of Tom Lidtke, supported by The Cedarburg Art Museum, has been brought to fruition by authors Tom Lidtke and Annemarie Sawkins with scholarly and creative input from talent across the state. The first attempt in eighty-five years to compile a comprehensive history of art in Wisconsin, A Creative Place is the first history of Wisconsin art from the First Nations through the twentieth century.
We begin our artistic journey by reviewing petroglyphs, pictographs, pottery, jewelry, and the effigy mounds created by the first inhabitants of what is now Wisconsin. Contributing authors Robert Boszardt and Melanie Herzog highlight the functional art that first appears as early as 11000 BCE along with Wisconsin’s first known sculptural representation of a human being, a carved and painted statue created between 1000 and 1250 CE.
Native Presence: The Beginning of Art in Wisconsin
Encounters and Settlement: Art in Wisconsin: 1634-1870
The Great Cultural Expansion: 1870-1918
Transitioning from European Ideals to America's Regional Interests: 1918-1945
Wisconsin at Mid-Century: The Post War Period: 1945-1965
The Coming of Age of Visual Arts: 1965-1980
The Last Decades of the 20th Century: 1980-2000
Seven chapters, including vivid art images, will tell the story of art placed in context with Wisconsin's general history which helped shape Wisconsin art.
With the arrival of French explorer of Etienne Brule nearly 400 years ago, followed by Jean Nicolet, Louis Joliet, and Father Jacques Marquette, came an artistic beachhead established by mapmakers and sketch artists. This book chronicles the art made by early voyagers to this region, as well as art produced by the people who populated the earliest non-Indigenous settlements as the colonists moved west across the Wisconsin Territory.
A Creative Place pays particularly close attention to the artistic impact of the second and perhaps most significant wave of German immigration to the state beginning in the final quarter of the nineteenth century. These artists brought a modern European tradition to the state that evolved and grew through the first three decades of the twentieth century.
Milwaukee, for example, was one of very few American cities where artists created circular, five story high panorama canvases of as much as 20,000 square feet, depicting famous historical scenes like American Civil War battle scenes and Jerusalem on the Day of the Crucifixion.
Academic realism gave way to new modern styles of art in the years following World War I. American Regionalism, a style that was popular with Wisconsin audiences, endured until the Second World War before being supplanted by the modernism of the mid-twentieth century and then the post-modernist movement. A Creative Place surveys the variety of modern and contemporary styles of art in Wisconsin, from Regionalism to Surrealism and Abstract Expressionism along with the stylistic pluralism of postmodernism.
The book traces the evolution in the twentieth century of African American art in Wisconsin and tells the story of artistic innovators and advocates like Evelyn Patricia Terry and Gerald Duane Coleman.
And all along the way, the authors place this important work squarely within the context of the social, political, and economic conditions of the artists’ times.
With the valuable assistance of art historian, editor and author Melanie Herzog, archeologist Robert Boszhardt, and art essayist Fred Schwertfeger, Tom Lidtke and Annemarie Sawkins have compiled this survey of art in Wisconsin.
Tom Lidtke, a former art instructor and artist who has worked in the United States and Australia, spent three decades leading museums and chronicling Wisconsin’s rich art history. Lidtke’s crowning achievement was transforming the West Bend Art Museum into the Museum of Wisconsin Art, which opened its new state of the art building in 2013. He has taught graduate courses in Wisconsin art history and his essays have been published internationally. Above all, Lidtke is a gifted storyteller.
Annemarie Sawkins is a Milwaukee-based curator, art historian, and author who has curated exhibitions for numerous museums across the United States. From 1999 to 2012, she was a curator at the Haggerty Museum of Art at Marquette University. Sawkins has a PhD in Art History from McGill University in Montreal. Her research of Wisconsin art covers the post-World War II period through the end of the twentieth century.
Gustave Moeller (1881–1931), Main Street, Alma, 1925, Oil on canvas, 34 x 40 in., Journal Communications Collection, Milwaukee
Anticipated Book Completion: November 2021
We would be pleased to count you among those who support the deeper understanding of Wisconsin’s rich visual art legacy through the publication of this book.
Through the support of the Cedarburg Art Museum, organizations and individuals we are well on our way to making this book a reality and your donation will bring it to fruition.
With a donation of $2500+, you will receive your name listed in the published book. This donation must be made by September 1, 2021.
Click on your preferred donation amount below. If you would like to contribute a different amount or have questions or comments, please contact us through the form below.
If you'd like to pay by check, please make payable to the Cedarburg Art Museum with memo "History of Wisconsin Art Book" and mail to the address directly below:
Cedarburg Art Museum
W63N675 Washington Avenue
Cedarburg, WI 53012
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